At first glance, Dirty Computer looks like business as usual for Janelle Monáe. Like its predecessor, 2013’s The Electric Lady, it’s a concept album with a title that posits its creator as a part-human, part-cyborg figure, and it comes accompanied by a film in which the heroine struggles against a futuristic dystopia. Once more, the influence … Leggi tutto Janelle Monáe: Dirty Computer review – vagina monologues from a far-off star